A native of Florida, who now lives and works in Portland, Maine, Elizabeth is a multidisciplinary artist known for her vibrant geometric prints, textured reliefs and large wood and stone sculptures. In her practice, she continually interrogates themes of legibility, opacity, improvisation and object-making while considering her Chinese-American heritage. Her organic and serendipitous pattern ‘Social Dance’ grew out of a series of monoprints she first created for Wingate Studio, where she reconfigured plates of abstract colorforms to create a wholly new composition.

Born in Madrid and based in Brooklyn, Arturo is a self-taught painter who creates multilayered compositions that evoke complex imagery and a wide range of references. To create his abstracted forms, Guerrero pulls inspiration from ancient landscapes to modern technology, intuitively using thick brushstrokes to infuse his work with an expressive tenor. ‘Line Variations’ features warm overlapping fields of earth tones and cool indigo blue, which form tectonic plates of oil and watercolor and capture the organic nature of his iterative process.

Sisters Petra and Nicole Kapitza both worked independently as graphic designers before founding their collaborative studio in East London. Together, they take an aesthetic approach to problem-solving, exploring the optics of geometry and color with the belief that color has the power to uplift communities and make us feel better. This could not be exemplified better than in ‘Criss Cross’, a syncopated, striped pattern in five brilliant colorways that each make use of a wide color spectrum.

From her studio in Melbourne, Ellie creates bold geometries and chromatic compositions using relief woodblock printing and painting. Her visceral artworks are inspired by observations of everyday life, which she translates into layered fields of color that purposefully reveals and conceals information beneath the surface. In ‘Five Cities’, Ellie combines tonal planes and overlaid cutout shapes to form a playful abstract composition with a layered and dimensional depth.

Phillip’s creative practice toes the line between art, science and design. A student of physics and audio engineering before venturing into art and textile weaving, the Brooklyn-based designer and artist starts most of his works by writing code and experimenting with pixels, resulting in a dynamic fusion of the digital and the analog. His design ‘Bitdrift’ is generated from sections of a photograph, whose pixels have been algorithmically sorted and shuffled to generate a wholly unique composition. Created through parametric computation and cellular automata, it vacillates between order and entropy.